Added by on 2013-03-12

 I look forward to soon start color grading my last feature, ” A Thousand Times Goodnight” , starring Juliette Binochet.

Juliette Binboche, Erik and me

Some few days before Christmas, we did the last set up, a 1000fps explosion in Ouarzazate in Morocco. That ended the shoot of A Thousand Times Good Night, filming in Kabul, Ireland, Kenya and Morocco.

1000 frames per second ATTGN

It has been an amazing journey.

It is no secret that I have become a big fan of both Juliette Binoche and Nikolaj Coster Waldau. They did a wonderful performance with this great story about a war photographer.

We decided to shot  as much as possible of the film with natural daylight – both XT and INT.   It is a good theory – but when y have experienced the short winter days and the strong wind in Ireland – and in Ouarzazate – the practical part of it could have been disaster.

But my gaffer Callin Catalin made it possible.

We used a lot of mirrors, bounce cards and bigger 12 and 20´´frames with negative and diiffusion to control the light.
It seems to have turned out very nice. The quality of color is of cause amazing – the real thing – the sun…
I must admit – It was scary to try – but when it turned out well, hopefully it will give something visually interseting back to the project.

We mixed this idea of natural daylight source with a new tube light from Softlights

softbx_hospital 

Before we started the show, I asked Henrik at Softlights.com to help me create a light source that could give me a big soft source as soft as a book let light. But it had to be lightweight, no more than 6-7 kg, have high quality daylight and tungsten light.

They made it – and it became my most used  artificial light source on this show. …And Juliette allowed us to call the light for SoftBx Juliette ! 

softbx_kitchen

We used the old Canon K35 lenses from Volker at Vast Valley rental company for most of our Close ups of Juliette. They have a superb fall of quality in the focus – and they helps the Alexa picture to be less “aggressive” and “digital”. Hand held , f stop 1.3 is a nightmare for a normal focus puller. But Daniel – my focus puller is unfortunately not normal in that sense.. He have done the impossible possible.

Encrypted Dailies ditsributed trough Dropbox down to my I Pad have been a dream for many years .

For dailies, we used a beta version of  Dailies Creator and Dailies Viewer from Drylab.

drylab_timeline_hvit.003 kopi

It was great to have the complete movie always available on my IPad. I bought an Apple TV box for my apartment in Dublin that made it possible to stream wire less directly from Dailies Viewer on my Ipad to my projector …very nice. Dailies Creator and Dailies Viewer is now available trough www.drylab.no and apple app.store. https://itunes.apple.com/app/dailies-viewer/id589828447?mt=8&ign-mpt=uo%3D4

C 300 in Kabul

I big thank you to Canon Norway for let us use, free of charge, the C300 for all  “documentary” stuff  we shot in Kabul and in Kenya. I needed a small camera that did not attract  to much attention. The C300 have build in ND filters, recorder and batteries. I used  it with standard Canon EF lenses, no focus control, no cables, no extra boxes. It seems to blend very well with the Alexa stuff.

canon c 300 in kenya ATTGN

This picture show the camera in use in Dublin – where we actually used it with follow focus … We used it inside a small car – to be able to do some hand held moving shots in a very tight space.

6M2A2718

This is a memory from my friends that protected our hotel in Kabul

jcr_kabul_hotell_machine gun

In Kabul- the breakfast was simple…

breakfast in kabul

Screen shot from one of the very  first  shots in the movie…

Skjermbilde 2012-12-27 kl. 18.42.44

On set in Dublin. Erik Poppe left, me right.

Erik and me ath the restaurant _ATTGN

John Chr_ATTGN_presse

 

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